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Toronto Antiques Appraisal

  • Writer: elliotmelamed
    elliotmelamed
  • 12 minutes ago
  • 5 min read

Toronto Antiques Appraisal - We recently had the opportunity and pleasure to work with a private Ontario client requiring written appraisals for an inherited collection of Fine Art and Antiques, including this lovely and well preserved antique English dessert set, complete with the original fitted wooden storage chest.


antique dessert set with mother of pearl handles
Antique English boxed dessert set

Antique Lee and Wigfull (Sheffield, England) 24 piece dessert service, complete for 12 persons, engraved decorated silverplate, with mother-of-pearl handles. In the original velvet lined mahogany storage chest. Circa 1900-1920



Lee & Wigfull was one of the most respected silversmithing and electroplating firms in Sheffield, England, during the late nineteenth and early twentieth centuries. Although the company is less well known today than famous names such as Mappin & Webb or Walker & Hall, it played an important role in Britain's silver industry for almost a century. Renowned for producing sterling silver, silver-plated wares, Britannia metal goods, cutlery, and decorative household objects, Lee & Wigfull earned a reputation for combining fine craftsmanship with practical design. Today, its surviving works are highly sought after by collectors of antique English silver and Victorian decorative arts.

The company was founded around 1871 by George Shadford Lee and Henry Wigfull in Sheffield, the city long regarded as the center of England's cutlery and silver industries. Sheffield had developed into one of Europe's leading manufacturing cities because of its skilled workforce, abundant steel production, and innovations in silver plating. Lee & Wigfull entered this thriving industrial environment as manufacturers of sterling silver, electroplated wares, and Britannia metal goods.

George Shadford Lee had previously operated his own business before entering into partnership with Henry Wigfull, a talented metalworker and businessman. Their partnership combined technical skill with commercial ambition, allowing the company to expand rapidly during its early years. Although the partnership itself ended in 1879 when George Lee left the business, Henry Wigfull continued trading under the well-established name "Lee & Wigfull." Retaining the original company name helped preserve the firm's growing reputation among customers in Britain and overseas.

The business operated from John Street Works in Sheffield, where it manufactured a wide variety of products. The company specialized in sterling silver tableware, tea services, serving dishes, cutlery, candlesticks, trays, coffee pots, sugar bowls, cream jugs, and decorative giftware. Alongside solid silver, Lee & Wigfull became particularly successful in producing electroplated silver objects. Electroplating was an important Victorian innovation that allowed manufacturers to coat inexpensive base metals with a thin layer of silver. This process produced attractive and durable household items at a fraction of the cost of solid silver, making elegant tableware affordable for Britain's growing middle class.

One of the firm's strengths was its ability to produce both practical and decorative objects. Many surviving Lee & Wigfull pieces feature Victorian, Edwardian, Art Nouveau, and later Art Deco influences. Their silverware often displayed finely engraved decoration, elegant proportions, floral ornament, reeded borders, and attractive handles made from ebony or other hardwoods. The company also became known for unusual novelty items such as elaborate inkwells shaped like elephants or Egyptian pharaohs, combining skilled casting with imaginative design. These decorative objects demonstrate the firm's willingness to experiment beyond traditional tableware.

Lee & Wigfull manufactured products in both sterling silver and Electro Plated Britannia Metal (EPBM). Britannia metal is an alloy composed primarily of tin, sometimes combined with antimony and copper. It provided an ideal base for electroplating because it was durable, resistant to corrosion, and could be cast into detailed decorative forms. Many pieces bear the initials "L & W" together with "S EPBM," indicating Sheffield Electro Plated Britannia Metal. Collectors frequently encounter these marks on tea services, trays, serving dishes, and novelty objects produced between the late Victorian period and the early twentieth century.

The firm also became known for its distinctive trademarks. Among these were "Albion Silver" and "Insignia Plate," both used to identify the company's high-quality plated wares. Interestingly, Lee & Wigfull often used an anchor symbol as part of its silver-plate trademark, making it one of the few Sheffield electroplaters to adopt this emblem rather than the more commonly used crown symbol. These trademarks help modern collectors identify authentic Lee & Wigfull pieces, particularly when examining silver-plated items that do not carry traditional sterling silver hallmarks.

Like many successful Sheffield manufacturers, Lee & Wigfull sold its products throughout Britain and exported extensively to international markets. Antique examples have been found in Australia, New Zealand, South Africa, Canada, and the United States, demonstrating the firm's global commercial reach during the height of the British Empire. The company exhibited its products internationally and received recognition for quality craftsmanship, including awards at nineteenth-century industrial exhibitions. Such achievements strengthened its reputation and expanded demand for its silverware.

The company's sterling silver production reflected the changing tastes of the late Victorian and Edwardian periods. Surviving examples include preserve spoons, bonbon dishes, salts, pepper shakers, serving spoons, and numerous dining accessories. These pieces are admired for their careful finishing, balanced proportions, and practical elegance. Hallmarks from Sheffield, together with the maker's mark for Lee & Wigfull, allow collectors to identify the year of manufacture accurately. Today these objects remain popular among collectors because they combine historical significance with everyday usability.

Following Henry Wigfull's leadership, the company continued to prosper throughout the early twentieth century. In 1899 it became a limited liability company under the name Lee & Wigfull (Sheffield) Ltd. The business adapted to changing fashions and continued producing silver and plated wares through both World Wars. After the Second World War, ownership changed several times as Britain's traditional silver industry faced increasing competition from stainless steel, plastics, and imported products. During the early 1960s the company became part of the Sipelia Group before finally ceasing operations around 1969.

Although Lee & Wigfull no longer exists, its products continue to be appreciated by antique dealers, museums, and private collectors. Sterling silver examples often command strong prices because of their quality, attractive designs, and Sheffield craftsmanship. Silver-plated wares are also valued, particularly complete tea services, serving trays, unusual novelty items, and decorative desk accessories in excellent condition. Collectors frequently seek pieces with original cases, clear hallmarks, and minimal wear to the silver plating.

Today, Lee & Wigfull represents an important chapter in the history of English silversmithing. The firm's work reflects the industrial innovation that made Sheffield famous around the world while preserving the traditions of fine hand craftsmanship. From elegant dining accessories to imaginative decorative objects, Lee & Wigfull successfully balanced beauty, practicality, and affordability. More than a century after many of its finest pieces were created, the company's silverware continues to be admired for its craftsmanship, historical significance, and enduring appeal. As interest in Victorian and Edwardian decorative arts continues to grow, Lee & Wigfull remains recognized as one of Sheffield's notable silversmithing firms, leaving behind a legacy that illustrates both the artistry and industrial excellence of Britain's golden age of silver manufacture.

 
 
 

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